
No description for this product could be found, but have a look over at Amazon for reviews and other information.
Buy Opera Obsession! - Opera d’Oro’s Greatest Hits at Amazon
Can you calculate your states sales tax in your head? If not, read why figuring out sales tax is actually pretty easy.
{ 2 comments… read them below or add one }
Do not be misled by the incredibly low price on this album; the recording quality is quite good. I would have liked more information in the liner notes (especially the year of the performance), but that is a minor quibble when compared to hearing some of the best opera stars of the last century for less than a matinee movie ticket.
So, indulge and enjoy!
This CD serves as a great beginner’s guide to opera. there is plenty to choose from on this CD. Placido Domingo starts off the CD with his trademark “Celeste Aida.” Next, Alfredo Kraus and Giuseppe Taddei sing “Au fond du temple saint,” in Italian instead of French. Renata Tebaldi follows in “Ebben? ne andro lontana.” You can’t have a opera CD without Luciano Pavarotti, and you get him in “Io son sol…Ah dispar, vision!” from Manon. A great trio from La fille du regiment, “Il faut partir” follows, starring Beverly Sills, Fernando Corena, and Grayson Hirst. Jose Carreras and Renata Scotto follow in the Brindisi from La Traviata. Montserrat Caballe graces the #7 spot in “Oh nube! che lieve” from Maria Stuarda. Franco Corelli is excellent is “Nessun dorma” from Turandot. Alfredo Kraus returns again in “Dalla sua pace” from Don Giovanni. This is one of my favorite arias on the CD. Carlo Bergonzi follows in “Die campi, dai prati” from Mefistofele. Franco Corelli follows in the role he was made for: Manrico’s “Di quella pira” from Il Trovatore. Montserrat Caballe and Siegmund Nimsgern sing in one of the only German arias on the CD: “Und du wurst mein…” from Arabella. Gundula Janowitz sings in “Dich teure Halle,” the other German aria on this CD. I can’t believe Nicolai Gedda isn’t on this CD more than once. He sings “Merci, doux crepuscule” from La damnation de Faust. Mirella Freni comes next in “Si. Mi chiamano Mimi” from La Boheme. My favorite tenor, Giuseppe di Stefano comes in the next two clips: “E lucevan la stelle” from Tosca, and, with Maria Callas, “E il sol dell’anima” from Rigoletto. How can this great recording end? With Pavarotti in “Tu che a Dio” from Lucia di Lammermoor of course.